![]() In this case there’s a more important reason, however, because this recording is the fruit of a five-year project: a collaboration between Jacobs and the composer Pierre-Henri Dutron to create a new version of the Requiem. ![]() Why, one might well ask, do we need yet another recording of Mozart’s Requiem, surely the most popular and frequently-recorded of his large-scale works (after, perhaps, the Jupiter symphony)? Part of the answer in this case is that René Jacobs is a titan of early music and whenever he and his crack team of period-instrument players take on a work, even a very familiar one, it’s going to be worth hearing what he and they do with it. RIAS Kammerchor Freiburger Barockorchester / René Jacobs
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